Artists, community organizers, program directors, designers, urban planners, large community developers, small HUD offices, mayors, directors, university fellows converged in Phoenix at the generosity of ArtPlace America to explore, share and learn from the observations of those involved in creative placemaking across the country. I was one of the grateful 250 to inquire and learn from the exquisite experts, poets, social organizers and disruptors who shared space.
Artplace America is 10-year collaboration of private and public funders with a focus on community planning and development with arts and culture at the core. I attended because of involvement as Communication Manager with The Fargo Project, a 2014 grantee of the National Placemaking Fund. I don’t want to forget. So what follows is the summary of the connections I made from notes, conversations, and speakers at the 2016 ArtPlace America Summit. With openness and vulnerability each was willing to share their pieces of discovery and the passionate well of curiosity from which they draw and apply to the work (or is it play?) within their place. Together we learned some of the characteristics of great creative placemaking, the challenges, sources of discovery, the advocates, and distinguished the markers of success.
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Sure the content of a conference or an event is critical, yet it seems we need something special to make it memorable. Recently, Reach Partners attended We Are OTA. The event curators intentionally transformed the venue with a sense of play, contrived intersections for connection with others, and used words, people and art to spark new ideas. To boot, the creators thoughtfully considered the sensory experience for the attendees.
 The question of event design recently came up in a group I follow. It’s a topic that I like to think about since I’ve worked on events that range from bare bones to highly designed. How important is the design of your event? I have come to find deliberate or not, an event is always designed.
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